Music by the Numbers: From Pythagoras to Schoenberg. Eli Maor
Music-by-the-Numbers-From.pdf
ISBN: 9780691176901 | 176 pages | 5 Mb
- Music by the Numbers: From Pythagoras to Schoenberg
- Eli Maor
- Page: 176
- Format: pdf, ePub, fb2, mobi
- ISBN: 9780691176901
- Publisher: Princeton University Press
Free mobile ebook download Music by the Numbers: From Pythagoras to Schoenberg by Eli Maor (English literature)
Music by the Numbers: From Pythagoras to Schoenberg by Eli Maor How music has influenced mathematics, physics, and astronomy from ancient Greece to the twentieth century Music is filled with mathematical elements, the works of Bach are often said to possess a math-like logic, and Igor Stravinsky said "musical form is close to mathematics," while Arnold Schoenberg, Iannis Xenakis, and Karlheinz Stockhausen went further, writing music explicitly based on mathematical principles. Yet Eli Maor argues that music has influenced math at least as much as math has influenced music. Starting with Pythagoras, proceeding through the work of Schoenberg, and ending with contemporary string theory, Music by the Numbers tells a fascinating story of composers, scientists, inventors, and eccentrics who played a role in the age-old relationship between music, mathematics, and the sciences, especially physics and astronomy. Music by the Numbers explores key moments in this history, particularly how problems originating in music have inspired mathematicians for centuries. Perhaps the most famous of these problems is the vibrating string, which pitted some of the greatest mathematicians of the eighteenth century against each other in a debate that lasted more than fifty years and that eventually led to the development of post-calculus mathematics. Other highlights in the book include a comparison between meter in music and metric in geometry, complete with examples of rhythmic patterns from Bach to Stravinsky, and an exploration of a suggestive twentieth-century development: the nearly simultaneous emergence of Einstein's theory of relativity and Schoenberg's twelve-tone system. Weaving these compelling historical episodes with Maor's personal reflections as a mathematician and lover of classical music, Music by the Numbers will delight anyone who loves mathematics and music.
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Music by the Numbers : From Pythagoras to Schoenberg: Eli Maor
How music has influenced mathematics, physics, and astronomy from ancient Greece to the twentieth centuryMusic is filled with mathematical elements, the works of Bach are often said to possess a math-like logic, and Igor Stravinsky said "musical form is close to mathematics," while Arnold Schoenberg, Iannis Xenakis,
Music by the Numbers: From Pythagoras to Schoenberg eBook: Eli
How music has influenced mathematics, physics, and astronomy from ancient Greece to the twentieth century. Music is filled with mathematical elements, the works of Bach are often said to possess a math-like logic, and Igor Stravinsky said "musical form is close to mathematics," while Arnold Schoenberg, Iannis Xenakis,
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He wrote a massive work called Institutiones, which echoes Plato's teaching on the ethical content of music, as well as Pythagoras's on the power of number. Schoenberg contended that tonality does not exist in nature as the very property of sound itself, as Pythagoras had claimed, but was simply an arbitrary construct of
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How music has influenced mathematics, physics, and astronomy from ancient Greece to the twentieth centuryMusic is filled with mathematical elements, the works of Bach are often said to possess a math-like logic, and Igor Stravinsky said 'musical form is close to mathematics,' while Arnold Schoenberg, Iannis Xenakis,
Music by the Numbers: From Pythagoras to - Amazon.com.au
How music has influenced mathematics, physics, and astronomy from ancient Greece to the twentieth century. Music is filled with mathematical elements, the works of Bach are often said to possess a math-like logic, and Igor Stravinsky said "musical form is close to mathematics," while Arnold Schoenberg, Iannis Xenakis,
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He wrote a massive work called Institutiones, which echoes Plato's teaching on the ethical content of music, as well as Pythagoras's on the power of number. .Schoenberg took the twelve equal semi-tones from the chromatic scale and declared that music must be written in such a way that each of these twelve semi- tones
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James movingly outlines Schoenberg's Pythagorean belief in numerology as well as Hindemith's conception of musical intervals as being related to planetary . history of these phenomena right back to Pythagoras — credited with discovering the mathematics of musical intervals — and his cult of mystic number-crunchers.
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He wrote a massive work called Institutiones, which echoes Plato's teaching on the ethical content of music, as well as Pythagoras's on the power of number. Cassiodorus taught that In the 1920s, Arnold Schoenberg unleashed the centrifugal forces of disintegration in music through his denial of tonality.Schoenberg
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